About the book
- Winner of the 2022 Lansdowne Prize for Poetry
- Longlisted for the 2021 Gerald Lampert Memorial Award
Joel Robert Ferguson grew up in a family of working-class evangelical Baptists in the Maritimes and found an escape from that parochial world in literature. In his twenties, that escape became literal, as he hitchhiked across the country, working odd jobs. These experiences are reflected in his first poetry collection The Lost Cafeteria.
The idea of place and transience forms the core around which the poems in this collection orbit. Stylistically, the poems vary, but often strive for a synthesis between experimental and traditional. Ferguson’s sonically dense political poems and elegies confront the ways in which working-class masculinity is used by capitalism and white supremacism.
About the author
At the age of 21, Joel Robert Ferguson had the words BOOK PUNK tattooed on his knuckles, and to this day, he has no regrets about his decision. His poetry has appeared or is forthcoming in The Columbia Review, Prairie Fire, Grain, The Capilano Review, Southword Journal, filling Station, and various other publications. Originally from the Nova Scotian village of Bible Hill, he now divides his time between Winnipeg and Montreal, where he is completing a master’s degree in English literature at Concordia University.
Excerpt
On-the-Job Braining
How to be a body for eight hours.
How to build a better boss. How to accrue.
How to speak softly on a city bus.
How to exploit chaos. How to lift a woman.
How to re-gift the things peopel give you
in their moments of despair. How to love
a peon. How to identify
as a consumer. How to hear an important
voice. How to take a biology lesson
based around a recently-extinct species.
How to live in fire. How to live on hot dogs.
How to discourse. How to receive a message
from the Government of Canada.
How to monetize human suffering.
How to win and go on winning.
Paris Syndrome in New York Poem: to be determined. Poem: an archaeology of tomorrow. Poem: it is sundown in America. Poem: will I be as surprised to be alive in a year as I was at thirty? at fifty? 100? Poem: will I live to forget this year's snows, should they come? Poem: a clearing, morning mist, a dark green forest, a JPEG of a guard tower, glitched by artifacts. Poem: the last leaves are falling. Poem: the adults aren't around to tidy them up. Poem: some Canadian bohunk at the heart of empire and world culture for the first time. Poem: roadrunner in Manhattan, achieving escape velocity only if he doesn't look down or back (the coyote is Eurydice or maybe us.) Poem: the museums keep us out and history in, in theory. Poem: inconceivable vs unelectable so obviously the former wins— it's not a conceivability contest. Poem: the future of [declarative verse] is that it has none. Poem: I'm trying to be discreet but failing. Poem: language has its own evil intelligence. Poem like a ninety-percent unoccupied condo tower. Poem: sans papiers disappeared at Union Street Station. Poem, are we just your plague rats? Poem, I'm sick of listening o my own voice, go fuck yourself and your atom bomb. Poem, will you remember my birthday when I'm decrepit? I'm writing you now, Poem, and reading you out in a walk-up mansard in Stuyvesant, to hear and make you over the A.C. in a friend of a friend's garret near the former armoury's turrets. Poem, it's well past midnight. Poem, tonight Jordan Scott gave a talk about Guantanamo Bay and played a tape of an army medic glibly describing "enteral" feeding Poem, a young Bobby Dyland has failed us and we have failed ourselves. Poem, the world has us where it wants us. Poem, I'm overcome by a want for new needs. Poem, I don't even like milk or molly. Poem, can I ask if a cartography of nightfall is the best you and I can manage? Poem, I wish you were about reading Catullus at the Starbucks inside Trump Tower. Poem, I have only myself to blame. Poem, lead us back to the dialect of nuclear anxiety. Poem, I remember reading I Remember by Joe Brainard in Battery Park a couple nights ago. For me, poem, please stick a pin in the future, be for Catalonia again and for play as play, stop pretending to be just an angineer of the human soul. Poem, resuscitate Phil Ochs and stay true to the memories of regional truths, be an inconvenient something I'd like to catch in the Egyptian wing of the Metropolitan Museum. Poem, I think I know how this film ends. Poem: the call was coming from inside the house.
The News I imagine his head wrapped in bandages like Apollinaire, lik Kenzaburo Oe imagined his infant son's head wrapped in bandages in A Personal Matter. There're crow-caws and his voice falters, choked-off, alien Three years estranged submit to four to eight weeks remaining. My mother says a deer just walked past the driveway's mouth that it's getting cold, that they're heading in now.
Reviews
“Committing to writing meant committing to a place - and then leaving it
Joel Robert Ferguson’s winding road to writing involved accepting imperfection
Joel Robert Ferguson took a somewhat circuitous route to publishing his debut poetry collection, The Lost…” >>
— Ariel Gordon Prairie Books NOW
“Joel Robert Ferguson’s The Lost Cafeteria has a compelling habit of telling us what it is and isn’t. “No volta here,” ends one poem, “no tears / for a lost generation, just petty crime brazening” (“The Kitchen Debates, Early-to-Mid 2008”).…” >>
— Carl Watts Arc Poetry Magazine