In the First Early Days of My Death

In the First Early Days of My Death

Fiction

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About the book

  • Shortlisted for the Margaret Laurence Fiction Award
  • Shortlisted for the McNally Robinson Book of the Year Award
Wendy Li is floating above the city, unravelling the story of her own untimely end, frustrated that she can’t help with the investigation. Of course, things aren’t always what they seem.

About the author

Hunter, Catherine

Catherine Hunter's last poetry collection, Latent Heat, won the McNally Robinson Manitoba Book of the Year Award. Four of the poems in St. Boniface Elegies, originally published in Contemporary Verse 2, won the Manitoba Magazine Award for Best Poem or Suite of Poems and earned Honorable Mention in the National Magazine Awards. Her most recent novel, After Light (Signature), spans four generations of an Irish-American-Canadian family in a tale of love, war, trauma, and the power of art, and was a finalist for the Margaret Laurence Award for Fiction, the Carol Shields Winnipeg Book Award, the McNally Robinson Book of the Year Award, the Mary Scorer Award for Best Book by a Manitoba Publisher, and the High Plains Book Award for Best Woman Writer. She has also published several mysteries with Ravenstone/Turnstone, and recorded a spoken word CD (Rush Hour, from Cyclops Press, with a bonus track by The Weakerthans). Her writing has appeared in the literary journals The Malahat Review, Prism International, Essays on Canadian Writing, Matrix, West Coast Line, Prairie Fire, CV2, and Grain, and the anthologies The Echoing Years: Contemporary Poetry from Canada and Ireland; Post Prairie: An Anthology of New Poetry; Best Canadian Poems 2013; Best Canadian Poems 2015; and (forthcoming) Best Canadian Poems 2019. She edited Exposed, an anthology of five new women poets, and Before the First Word: The Poetry of Lorna Crozier, and for ten years she was the editor of The Muses' Company poetry press. Since 1991, she has enjoyed teaching literature and creative writing at the University of Winnipeg.

Excerpt

In the first early days of my death, I could easily rise above the earth, past the massive, crenulated tops of the elm trees, over the scent of honeysuckle, into the summer sky that was ­thick and soft as a dark bolt of cloth, stars pushing them­selves through like bright needles.

I could see the narrow, muddy Seine trickling north and the wide, muddy Assiniboine flowing east, both of them empty­ing into the Red River. I could see the whole length of the Red, its gleaming black surface with the wake of the moon upon it like a curved path I could trace to the horizon. I saw every house I'd ever lived in and the orange cross above the hospital where I'd been born and where I now lay. I peered into the windows of build­ings and learned to part the glass like cur­tains so that I could pass right through.

If I wanted to, I could reach anywhere, feel the whole world at once, full of water and white sand and polar ice, fish in the oceans, red peppers and basil and lilies with their folded petals closed, unbearably lush and delicate and quiet in the dark­ness. I could hear everything, each exhala­tion of the humid air breathing through the branches far be­low, each muted puncture of the sky as another star poked through.

Some nights, if I let the wind blow through me, I could hear the dead begin to speak.

It's true.

Their voices, low and insistent, rustled past me like the wings of flying birds, and some­times they sang.

But I was not interested in them.

~

Maybe my life would have ended differently if I'd ac­cepted Mrs. Kowalski's invitation to join her at that pro­test rally at City Hall. Mrs. Kowalski was a determined woman, the most persuasive of my mothers, but I'd said no. I had to clean the house that day. I had to prune the oregano before it encroached any fur­ther on the lettuce patch. And I defi­nitely had to phone a locksmith. Besides, Mrs. Kowalski was always pro­test­ing some­thing. The year I was thirteen, it was pesti­cides. The year I was fourteen­, it was pornogra­phy. By the time I was fifteen, I'd gone to live on Langside Street with old Mrs. Lamb, who was far be­yond the mothering age and cer­tainly past pro­testing anything. But Mrs. Kowalski never gave up. That summer, she was against gamb­ling. Or at least gambling down­town.

The City of Winnipeg had changed a lot of bylaws so that All-Am Development could tear down four square blocks of Winnipeg's remaining core and erect a luxury casino complex, com­plete with gourmet restaur­ants, fountains, and skylights, and a glass tower with a green spire that would be the tallest structure ever built in the city. This plan angered a lot of people be­cause of the historic buildings that would be destroyed, including the Walker The­atre, where Nellie McClung had staged the fa­mous mock parlia­ment in 1914 which debated the issue of granting the vote to men. It enraged others simply because the mayor pushed through the by­laws with­out con­sulting the public. And it in­censed people like Mrs. Kowalski, who didn't believe in games of chance. She grounded me once for playing poker with the boy next door, although we were only playing for pennies. She was the strictest mother I ever had, and wouldn't listen to excuses. "Don't push your luck," she always said. Maybe she was right, con­sidering the way every­thing turned out.

Reviews

Wendy Li knows who her murderer is as she lies nude at the foot of her staircase under the parka she wears. When she finds herself floating above the streets of Winnipeg, she realizes things aren't going her way. She… >>

Style Magazine

Reserve a spot on your New Year's reading list for Catherine Hunter's latest novel. With two thrillers, three collections of poetry and one spoken word recording already behind her, this Winnipeg author continues to reveal the scope of her rich… >>

The Winnipeg Free Press

I had originally intended to write about Catherine Hunter’s mystery book set in Wolseley as the second post in my series on Winnipeg neighbourhoods through crime fiction. What neighbourhood revels more in its stereotypes and is riper for parody than… >>

— Catherine Macdonald

This is an elegant little novel built on the Chinese legend that those who die violently remain in spirit in the place of death until their life's business is completed. In Wendy Li's case, that means drifting about Winnipeg attempting… >>

The Globe & Mail


Audio

Wednesday, December 2

Winnipeg

CKUW

Catherine Hunter is interviewed by CKUW's Ron Robinson about her new novel, After Light.
(MP3 file, 8:52)

Listen to the MP3 clip (right click to download)

Audio

Sunday, October 13

Winnipeg

CBC

Poet and English professor Catherine Hunter has been named a finalist for the prestigious award. Her collection of poetry, "St Boniface Elegies", deals with many themes, particularly the recent death of her husband Ron, making the recognition bittersweet. Listen to the full interview here: https://www.cbc.ca/listen/live-radio/1-367-the-weekend-morning-show-manitoba/clip/15741076-winnipeg-poet-named-as-finalist-for-the-governor-general-literary-awards
(7:50)

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